I like incorporating glimpses of nature and seasonal details into my writing. So A Selbourne Year is a positive treasure-trove. Here are some typical entries:
Apr 3. Rain. The ever-green trees are not injured, as about London. The crocus's are full blown, & would make a fine show, if the sun would shine warm. (On this day a nightingale was heard at Bramshott!)
July 10. Grey, & pleasant. Gale, sun. The hops damaged by the hail begin to fill their poles. Thatched my hay-rick. Cherries very fine. Grapes begin to set: vine leaves turn brown. The young cuckow gets fledge; & grows bigger than it's nest. It is very pugnacious. Cool.
This is just the sort of detail I love!
I find it interesting that Jane Austen had so little detail about the English countryside; perhaps she expected her audience to be too familiar with the subject to find it interesting. But it goes along with the general lack of descriptions in her books (we only know Elizabeth Bennett has "fine eyes" for instance, but her hair and eye color are left to the imagination). No matter; Austen's characterization and dialogue are brilliant enough to stand on their own.
It is possible to go to the opposite extreme, I suppose. Friends and I were discussing Tolkien over beer (I love having friends with whom I can discuss Tolkien over beer!) and one said his descriptions of various imaginary settings went on too long. Those long descriptions always worked for me, though, because I like to visualize settings as I read. Tolkien's description of Ithilien made me yearn to go there, although I would settle for the New Zealand film locations.
In my own writing, I try to strike a balance. I know too much description wearies some readers so I use it in service of the characters and the story. In my current mess-in-progress, the hero has spent much of his life in India and war-torn Spain and Portugal; a green and fertile England holds a special meaning for him. However, he may just enjoy hearing a bird sing; my heroine, the daughter of a naturalist much like Gilbert White, will know if it's a lark or a thrush.
How much descriptive detail do you like in stories?
Elena
www.elenagreene.com
www.facebook.com/ElenaGreene
I am someone who reads historical fiction for the details of the time, place, culture and daily life. I like the little details that make the setting and characters real. Those details aren't as important in contemporary works because we are living it. As you suggest,that may very likely be Austen wrote as she did.
ReplyDeleteI love books like the one on Selborne. If it is well written, you can hear the birds and feel as though you are walking down the lane with the author.
Thoroughly enjoyed this post! Thank you!
ReplyDeleteValerie King
I love descriptive detail!!!!!
ReplyDelete