Holiday Daze and The Things You Learn

I hope everyone who celebrated Thanksgiving is recovering from their feasts.

This year we brined our turkey and let me just say this is the first year ever when we did not have dry turkey. I also made pumpkin pie (from fresh pumpkin) and pumpkin bread (with and without cranberries). I also put whipped cream in my coffee for as long as the whipped cream lasted. I want more.

Chimneys

I have been unable to stop thinking about my post from last week in which I went off the deep end with the inventory of the contents of Fonthill. The reference to "chimney glass" continued to nag at me. So did "chimney ornaments" so back I went to Google and now I have a few more things to share.

First this:

Antique Chimney from Jamb

I came across Jamb which aside from being a beautiful website, is also a fantastic resource for chimney information and pictures. As well as lots of other things.

Any way, chimney glass is as you might have guessed, a mirror set above the chimney, though usually, from what I gather, in a large plate. If you were looking to cut corners, you might devise a decorative panel between the ceiling and the top of the chimney glass so you didn't have to use as much glass. For quite some time, in rooms that needed to impress, the chimney glass went from mantle to ceiling.

At Fonthill, the South Bed Chamber contained: A chimney glass in a white frame, 2 plates 31 by 16 (I am pretty sure that's inches, not feet, but 62 inches by 28 is darn big). In the Turkish room, there was this: A ditto [french plate glass] over the chimney, Seventy-three Inches By Fifty-nine, in a blind frame.

If you go back to the Turkish room inventory, most of the room that wasn't windows was covered with mirrors. (Gee, I wonder why? They wouldn't have done anything naughty in there would they? Nah.)

Chinmey Ornaments


Chimney ornaments on the other hand, are much more fun. They were, more or less, brik-a-bak for your mantle. They might be brass (such as a flat brass fiddler) or porcelain -- one writer made a rather snide remark about all the porcelain Buddhas from China. They were also a source of craftwork for women. Things to make with which to decorate the mantle. There were also numerous instructions for making chimney ornaments from vegetables -- cutting off the top of a carrot and letting the green part grow, for example as well as a recipe for crystalizing objects for the mantle using alum. You might crystalize a rose, for example, or any number of decoratively arranged objects from nature.

Fonthill, by the way lists: Two India and 3 china chimney ornaments so really, I think you could have anything there. Tasteful or otherwise.

Questions for the Risky Among you


So, if you were a rich Regency lady, what kind of chimney ornaments would YOU make? Or would you save your pennies and buy them? Would you give a crystalized rose to your beau?


Also, just curious, what would YOU do in the Turkish Room and who would be there to party with you?
 

Happy Anniversary Shakespeare!

How was everyone's Thanksgiving?? Did you eat wonderful food and spend time with friends and relatives? Did you do any Black Friday shopping? (I did all my weekend shopping online...). Did you read any good books??? I have been writing, reading (The Night Circus, which is terrific), and getting out Christmas decorations. But today I'm taking time out to show you my new covers!! I am so excited about them.

They're the first two books in my new Laurel McKee series for Grand Central, the Victorian-set "The Scandalous St. Claires," about a notorious underworld family of gamesters, actors, and rakes, and their centuries-old feud with a ducal family (begun by a romance gone bad, and now ended by new romances):



They will be out in June and December of next year! You can pre-order One Naughty Night here...

I also wanted to say Happy Anniversary to William Shakespeare and Anne Hathaway, who were (possibly) married on November 28 in 1582. At the time Anne was 26 and Will was 18 (below the age of consent, scandal!), and Anne was pregnant (not uncommon--it's estimated that 1/3 of Tudor era brides were pregnant before the wedding). On Nov. 28, two husbandmen of Stratford called Sandells and Richardson were sureties for 40 pounds in the consistory court of Worcester so the marriage of "William Shagspeare and Anne Hathwey" could go forward with only one publication of the banns. They were married at St. Andrew's Church at Temple Grafton, about 5 miles from Stratford (possibly--see this link for more info...). The couple moved in with Shakespeare's family and 6 months later their daughter Susanna was born. No details are known about the clothes or music, it was probably very quiet.

More wedding info can be found here

And some Elizabethan wedding customs here...

What historical wedding would you like to attend? What are some wedding customs you especially enjoy (or think we could so without)???

The Harlequin Historical Authors Holiday Giveaway!

I just had to share this with our Risky Regencies readers!

The Harlequin Historical Authors Holiday Giveaway is back. And you can win a Kindle Fire! In the spirit of an Advent calendar, we Harlequin Historical authors are giving away daily prizes and a Grand Prize of a Kindle Fire. Starting November 29--That's TOMORROW!!--play every day for daily prizes and more chances to win the grand prize.

Each participating author will have an activity planned for their special day. You may be asked to comment on a blog, find an ornament, or visit a Facebook page. Just click on the calendar to reach that author's giveaway. (Or click on the author's name below)

For each day you participate, your name will be entered into the Grand Prize drawing. On December 23, one entrant from all the calendar days will be randomly selected to win the Kindle. The more days you visit, the better your chances!

"What if I miss a bunch of the days," you ask. Don't worry. You can go back, enter on each day, and catch up. You might miss some daily prizes but you can still have multiple chances to win the Kindle Fire.

"What if I live in a country that doesn't have access to Kindle Fire?" you also ask. No problem. If you win, we'll substitute a Kindle you can use.

The promotion is open to U.S., United Kingdom, Ireland, Canada, Australia, New Zealand, and European countries where a Kindle may be shipped.

My day is Friday Dec 2. Because I'm at the first of the month, I'm going to have both a prize--a $10 Amazon gift certificate-- for that day and a prize--another $10 Amazon gift certificate-- at the end of the contest. Come to my website on Dec. 2 to enter. Amanda's day is Dec. 21.

Official rules and eligibility

Participating Authors

November 29 - Michelle Willingham

November 30 - Elizabeth Rolls

December 1 - Charlene Sands

December 2 - Diane Gaston

December 3 - Annie Burrows

December 5 - Elaine Golden

December 6 - Barbara Monajem

December 7 - Michelle Styles

December 8 - Deborah Hale

December 9 - Marguerite Kaye

December 10 - Lynna Banning

December 12 - Carol Townend

December 13 - Blythe Gifford

December 14 - Julia Justiss

December 15 - Terri Brisbin

December 16 - Ann Lethbridge

December 17 - Bronwyn Scott

December 19 - Sarah Mallory

December 20 - Kate Bridges

December 21 - Amanda McCabe

December 22 - Jeannie Lin

December 23 - Grand Prize Drawing




michelle willingham
elizabeth rolls
charlene sands
diane gaston
annie burrows

elaine golden
barbara monajem
michelle styles
deborah hale
marguerite kaye
lynna banning
carol townend
blythe gifford
julia justiss
terri brisbin
ann lethbridge
bronwyn scott
sarah mallory
kate bridges
amanda mccabe
jeannie lin
harlequin historical authors

Favorite Places and Giveaway

This week, the ebook edition of The Incorrigible Lady Catherine, the first of my “Three Disgraces” series, went live.

Catherine is the most flawed heroine I’ve written so far and she’s drawn a lot of mixed reactions. In any case, readers have loved the hero, Philip. He’s been described as the perfect Beta hero. The way I see it, he’s a strong man to deal with a mess like Catherine.

This is a story about healing and since I often seek healing in nature, I decided to set it in one of the most beautiful places I visited in the UK: the English Lake District, near Ullswater, where Wordsworth was inspired to write his famous poem about the daffodils. My husband and I paddled around it in a canoe, enjoying the play of light and shadow cast by scudding clouds over the hillsides, until rain forced us back to shore.

We also hiked to see Aira Force, a waterfall that the characters visit in the story and that is featured on the new cover.

Below is a picture of Castlerigg Stone Circle. Since I have this fascination with “old rocks”, I invented a similar fictional stone circle and set it on Philip’s lands.

I’ve set other stories in Kent and Sussex (where I lived during my assignment). I’ve also used the Cotswolds and Cornwall. I have a story in the idea file that would feature the North York Moors.

What are some of your favorite places, in the UK or elsewhere? Where would you like to see more stories set?

I’ll be giving away 5 Kindle copies of The Incorrigible Lady Catherine to commenters chosen at random. If you win, you can also nominate a friend to receive a free copy. Void where prohibited. You must be over 18. No purchase necessary. Post your comment by midnight EST on December 2. I will post an announcement on Saturday, December 3, so please check back to see if you have won.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Black and Ivory: Judith Ivory's Black Silk


A recently-widowed woman, who was in love with her much older husband, meets her husband's relative, a notorious rake who is currently embroiled in a paternity lawsuit and is basically co-habitating with his married mistress.

The hero and heroine--the widow and the rake--don't kiss until the book is way more than three-quarters done, don't have sex until the last fragment of the book, and he receives a certain type of attention from his mistress more than halfway through the book.

Sounds risky, right? Like a self-published book that was self-pubbed because the author couldn't find a home for it in traditional publishing?

It does sound like it--but it's Judith Ivory's Black Silk, published by Berkley in 1991, and republished in 2002.

I read Black Silk way back when I first returned to romance, and I know I liked it at the time, but I'm not sure I appreciated it as fully as I should have. I never, ever re-read, so this was a big deal for me to pick up again--but I knew I was in the mood for something perilously close to literary fiction, but with a happy ending, and I knew Ivory, especially her early books, would suit. Plus it had been so long my memory was hazy with what exactly had happened during the course of the book. I just knew I liked it.

At the end, when Graham finds Submit (yes--that's the heroine's name) and bares his soul, the language is practically elegaic:

"I love soft saddles and mean horses and bright, booming fireworks that end in a rain of sparkling ash. I would love to roll around on the floor with all of these, touching them with the most sensitive parts of my body. But the truth is, none of them are really as good for fucking as the woman I love. And you're it."

Later on, she's trying to pull away from him--after that declaration, even!--and he says,

"Submit, listen to me. There are probably good reasons why we shouldn't be together. But the overriding fact is I love you, and you love me--you need me. I can keep your life form becoming hopelessly earthbound. And I need you, as sure as leaps in the air need gravity."
Whoa. Who could resist that? I couldn't--and luckily for our Happy Ending, neither can Submit. Black Silk is a rarity, a risk-taking book that succeeds in what it attempts, a literary fiction book masquerading as a romance, a delicious tour de force from an immensely-talented hand.

Besides our books, what books have taken risks that you've loved?

Happy thanksgiving

Here are my guidelines for a successful Thanksgiving gathering:
  • Eat too much
  • Don't eat too much
  • Try a bit of everything
  • Ignore the nephew who eats with his mouth open
  • When you go around the table sharing what you're thankful for, don't say "Prozac"
  • Tolerate Uncle Ted's stories about body parts you'd rather not hear about
  • Smile nicely at the rabid vegan niece who wants to educate everyone about the realities of turkey farming
  • If asked when you'll write a real book, respond "When will you?"
Happy Thanksgiving everyone, and for those who don't celebrate the day, remember the weekend is almost upon us.

Party in the Turkish Room (At Fonthill)!

I came across this in Stegman's The Rule Of Taste:
[S]ince, however, Fonthill was not a cathedral but a house it was inevitable that it should be pronounced eccentric and looked on, if not with amazement certainly with suspicion, just as [George] Beckford must have appeared suspicious to his neighbors, a man who, inheriting a fine mansion, should pull down that mansion and build another and a greater, might be thought extravagant, but when he proceeded to pull that down in turn and replace it by yet another, and even larger, and with, moreover, a soaring tower, employing two armies of workmen laboring alternately by day and by night (the tower collapsed immediately it was completed, and was promptly put up again,)  then beyond doubt he must be thought eccentric; finally, for a man so wealthy and so evidently original to live alone in celibate aloofness was in the highest degree suspicious.
So, first, hella long sentence there, buddy!

Apparently, if Mr. Beckford had done all this but slept with the maids and local virgins and held parties, that would not have been suspicious at all.

I have a question for you guys at the end, so check it out.

Ah, to be Stinking Rich

Beckford, in case you don't know, inherited 100,000 pounds. According to Stegman, he wrote Vathek (That's a whole 'nother post) in French in one sitting over the course of three days and two nights. (p84, fn 1) Also according to Stegman, he sold the house in 1822 for 330,000 pounds. The tower collapsed shortly after the sale because it had no foundations. The contractor was a cheat, it seems. The house was torn down shortly after the sale.

More Stuff

Google books is a goldmine, and I highly suggest a search for “Fonthill”, limiting your search to 1800-1825. There's poetry and list of the books in the library. Here's a link to the list of the contents being auctioned off in 1801. Ever wonder what kind of rooms these big old houses had? Here's a few:
  • Dining Parlour
  • Turkish Room
  • Library
  • Grand Entrance Hall
  • Tapestry Room
  • Great Dining Room
  • State Dressing Room
  • State Bed Chamber
  • Great Saloon
  • Cabinet Anti Room
  • Picture Gallery
  • Small Anti Room
  • Right hand Attic
  • Left Hand Attic
  • West Corner Bedroom
  • East Corner Bedroom
  • Bedroom adjoining
Here's a list of the contents of another of the bedrooms:

SOUTH CORNER BEDCHAMBER.
  • A blowing stove, shovel, tongs, poker, fender and hearth broom
  • A 5 foot 6 mahogany bedstead, with carved feet posts, double screwed, with quilted chintz furniture, lined with blue silk and fringed
  • A goose featherbed, bolster and 2 ticken pillows
  • A check mattress and 2 white ditto
  • Four white calico window curtains, 3 breadths, 10 feet long, with laths, lines and pins
  • Four white Holland spring blinds, with lines and tassels
  • A 3 feet 2 feet bedstead with white dimity furniture
  • A featherbed, bolster and 1 pillow filled with goose feathers
  • A white mattress, 3 blankets and a counterpane
  • A mahogany GUARDROBE, 8 feet wide and 8 feet 6 high, with sliding shelves and 4 drawers in the middle part, the two wings lined with green baize, 2 rods and 12 brass hooks to hang clothes on
  • A mahogany chamber table, a deal top for ditto and a pembroke table with 4 drawers
  • A mahogany chest night stool with brass corner plates
  • A neat inlaid French bedside table with cupboard, ornamented with ormolu
  • A ditto its companion
  • A mahogany chamber table with a drawer at the end, and a dressing glass with 3 drawers in a swing frame
  • A wainscot two-flap table, with 2 drawers, a dressing stool with cushion and case, a small glass in a mahogany swing frame and a mahogany stool
  • A pair of japanned and gilt fire screen stands, with Barre silk fan screens and 2 small mahogany chairs covered with striped hair cloth
  • Eight chairs neatly japanned with drapery backs and cane seats
  • A Kidderminster carpet to cover the room, 23 feet by 19 feet 6, exclusive of chimney
  • A pier glass in a rich carved and burnished gold frame, in two plates, bottom plate 43 by 37, top plate 37 by 26, and glass borders
  • A chimney glass in a white frame, 2 plates 31 by 16, and a dressing glass in a japanned frame
  • An inlaid pier table ornamented with ormolu
  • A neat inlaid work table en suite
Various KITCHEN And Other FURNITURE REMOVED FROM THE LOFTS.
  • Two copper kettles with covers and cocks and a still
  • A large pot and cover and a turbot kettle, plate and cover
  • An oval fish kettle, plate and cover, a stewpan and cover, 5 saucepans and 2 covers
  • Two large saucepans and covers and 3 stewpans and odd covers
  • Six French stewpans and covers and 2 cullenders
  • Four French stewpans and 2 covers, a frying pan and cover, 2 cullenders and sundry pieces of copper
  • An oval stewpan, a warming pan, a fish drainer, 2 brass skillets, 2 skimmers, 2 spoons, a bell metal mortar, pestle and a dredger
  • Two preserving pans, a bronze tea urn, a frying pan, 2 gridirons and 5 odd covers
  • Five pewter dishes, a fish drainer, 8 plates, 4 high iron candlesticks, a bronze tea urn, 2 tin stewpans and covers, a candlebox, a trumpet and a double gridiron
  • Eighteen stove trivets, part of the iron work of a copper, a large gridiron, a smaller ditto, 2 footmen, 3 beef forks, a pair of steak tongs, a cleaver and a charring dish
  • Two high charring dishes, 2 hand ditto, a pair of dogs, a round fender, a pigrron; a salamander, 3 jack chains and £ round stoves
  • Three tin fenders, and 3 iron ditto, large spits and sundry tin ware
  • Twenty tin steam kettles, a lark roaster, sundry tin paste and patty moulds and a quantity of tin ware
  • A German stove and pipe, 2 baking tins, 4 mahogany dish stands, a cheese ditto, 58 blanc-manger and pudding moulds
  • Two iron fenders, 2 steel ditto, 4 fire shovels, 3 pokers,2 pair of tongs, 2 high brass candlesticks, 10 pair of bellows and sundry lamp stands
TURKISH ROOM.
  • The BARRE SATTIN HANGINGS of the ROOM containing about 205 yards, fringed, with a rich silk fringe, with gold and silk Bullions
  • A superbe Ottoman Sofa with the return from the door to the chimney, 2 squabs, 9 back cushions, 3 seat ditto and 2 bolsters, filled with hair, in canvas, covered with Barre sattin, trimmed with silk fringe, a set of cotton and a set of dimity cases, compleat
  • A DITTO, en suite with the preceding, from the glass with the return to the chimney, and 2 sets of cases
  • Six Stools, gilt in burnished gold, covered with Barre sattin, finished with gold welt and silk fringe with white dimity cases
  • A pair of Superlatively Elegant TRIPODS, formed a la Turque, exquisitely carved and gilt in a superior and expensive stile, designed by Boilieu
  • A capital Axminster Carpet, maroon ground, with a coloured border, 20 ft. 3 by 19 ft. 9, exclusive of chimney and windows, and a piece for the door way
  • A brilliant French Plate of Glass between the windows Ninety-eight Inches By Forty-eight, in a blind frame
  • A ditto, facing the door, Eighty-seven Inches By Forty-five, and a carved and gilt frame round the sides and top
  • A ditto over the chimney, Seventy-three Inches By Fifty-nine, in a blind frame
  • Two white Holland spring blinds and a hearth rug
  • Two pair of sashes, glazed, with 16 squares of plate glass, 22 by 19, and 2 pair of window shutters, with the suffcit, richly carved, gilt and painted, by Feuglet
  • Four Paintings on the cielings [sic], (by Boileau) the architrave, mouldings, and all the carved and gilt wood ornaments on ditto
LIBRARY.
  • Three lilac sattin festoon window curtains, lined, 10 ft. 9 long, with laths, lines and pins, compleat
  • Three pair of door curtains to match the last lot, 7 ft. long with brass rods
  • Four stools, carved and gilt, in burnished gold, the tops, stuffed and covered with sattin, with white dimity cases
  • A Brussels Carpet to cover the room, 22 ft. 6 by 19 ft. 6, exclusive of fire place and windows
  • Two India and 3 china chimney ornaments
  • Two bookcase doors with wire work and mahogany tops in 2 windows
  • Three mahogany doors with wire work west side of the room
  • Three ditto and 2 pair facing windows
  • Six ditto fronting the chimney and 2 ditto on return of side room
  • A neat inlaid sattin wood oval Pembroke Table with a drawer on castors
  • Three white Holland spring blinds and a hearth rug
  • A marble bust of Homer, on an inlaid marble pedestal
  • A ditto of Virgil on ditto
  • A 45 inch Bath stove, shovel, tongs, poker and fender
  • An elegant sattin wood Library Table, inlaid and banded, the top covered with red Morocco leather
  • Two small tables, on rich carved and gilt frames, 20 by 12

Question for You

So, having perused this, tell me in the comments what you thought/imagined/desperately desired as you read the various lists.

Me, I say, PARTY IN THE TURKISH ROOM!

Cara Elliott Winner!


The winner of Cara Elliott's Too Wicked To Wed is...Leanne! Congratulations! Please send us your contact info at Riskies AT yahoo.com...

Thanksgiving Things

I hope everyone is ready for the Thanksgiving holiday this week! I--well, I am not, but then the holidays always have a way of sneaking up on me. I am going to the shops today to stock up on groceries and do a little preliminary Christmas shopping, and then will spend the rest of the week eating turkey leftovers and arguing with my family (in a fun way of course, LOL!).

In the meantime, what went on in history on November 22? Lots of good things, it turns out:

Henry Purcell (one of my favorite composers) had a premier in London, of a piece called "Welcome to all the pleasures" (apropos for the holidays!)



Benjamin Britten was born in 1913



Man of La Mancha had its premier in 1965



And one of my favorite authors, George Eliot, was born in 1819. Let's take the opportunity to look at Rufus Sewell, one reason to really be thankful this year!



And if you have company the day after Thanksgiving and they are still hungry, my friend swears by this French bread casserole recipe from Paula Deen:

Ingredients

  • 1 loaf French bread (13 to 16 ounces)
  • Butter, for pan
  • 8 large eggs
  • 2 cups half-and-half
  • 1 cup milk
  • 2 tablespoons sugar
  • 1 tablespoon vanilla extract
  • 1/2 teaspoon ground cinnamon
  • 1/2 teaspoon ground nutmeg
  • Dash salt
  • Praline Topping, recipe follows
  • Raspberry Syrup, recipe follows

Directions

Slice French bread into 20 slices, 1-inch thick each. (Use any extra bread for garlic toast or bread crumbs). Arrange slices in a generously buttered 9 by 13-inch flat baking dish in 2 rows, overlapping the slices.

In a large bowl, combine the eggs, half-and-half, milk, sugar, vanilla, cinnamon, nutmeg and salt and beat with a rotary beater or whisk until blended but not too bubbly. Pour mixture over the bread slices, making sure all are covered evenly with the milk-egg mixture. Spoon some of the mixture in between the slices. Cover with foil and refrigerate overnight.

In a large bowl, combine the eggs, half-and-half, milk, sugar, vanilla, cinnamon, nutmeg and salt and beat with a rotary beater or whisk until blended but not too bubbly. Pour mixture over the bread slices, making sure all are covered evenly with the milk-egg mixture. Spoon some of the mixture in between the slices. Cover with foil and refrigerate overnight.

The next day, preheat oven to 350 degrees F. Spread Praline Topping evenly over the bread and bake for 45 minutes, until puffed and lightly golden. Serve with Raspberry Syrup.

Praline Topping:

  • 1/2 pound (2 sticks) butter
  • 1 cup packed light brown sugar
  • 1 cup chopped pecans
  • 2 tablespoons light corn syrup
  • 1/2 teaspoon ground cinnamon
  • 1/2 teaspoon ground nutmeg

Combine all ingredients in a medium bowl and blend well. Spread over bread as directed above.

Raspberry Syrup:

1 cup raspberry preserves

3 tablespoons water

2 tablespoons raspberry liqueur (recommended: Framboise)

Combine ingredients in a small saucepan and place over medium heat. Stir until warm and thinned out like syrup.


How is your holiday week going? Heard any good music or made any good recipes??

Thanks for the Regency

This is Thanksgiving week and a time to be thinking of all the things for which we are grateful. I've had many blessings in my life. Family and friends are chief among them. I thought it would be fun to look at some "Regency" things that make me grateful.

Thank you for.....

1. Jane Austen.
Without Jane and her wonderful books would this time period be thought of as a setting for romantic historical fiction?

2. Georgette Heyer.
Heyer made the time period come alive. For Jane, the Regency (or late Georgian era, to be specific) was contemporary and it would not have occurred to her to make it part of the appeal of her books. Heyer, writing later, embraced the era and made it come alive with great wit and cleverness.

3. The Drama.
The few short years of the Regency were filled with drama, the fodder of a novelist. With a mad king, a frivolous Prince Regent, social unrest, a war with Napoleon, and even dramatic weather (the year without a summer in 1816; the last Frost Fair in 1814), few eras could compete.

4. The People.
Think of all the larger than life figures who inhabited the Regency: The Duke of Wellington, still revered as a national hero (and by me... and Kristine Hughes). The Prince Regent, almost the polar opposite of Wellington. Lord Sidmouth, the force behind the repression of social protest, Lord Castlereagh, Foreign Secretary who, at the Congress of Vienna, brought peace and order to Europe and who tragically killed himself. Literary people, like Austen, naughty Byron, Shelley, Keats, Sir Walter Scott. Personalities like Harriette Wilson and Beau Brummell. The list goes on.



5. The Beauty.
Beautiful fashions for women, starting in the late Georgian era, stopping short of the excesses of the Victorian era. Beautiful settings - Country houses, Mayfair, the Pavilion in Brighton. Romantic modes of transportation - elegant carriages pulled by matched sets of horses, racy phaetons and gigs, riding horses, ships.

I'll stop here, although, if I took a little more time, I could probably think of more. I am very thankful that I can "live" in the Regency every day in my writing. I'm thankful that my success has afforded me the ability to keep on writing Regency romance. I'm grateful for those wonderful, loyal readers who still love books set in the Regency. You'll see more books from me!

Here's something for which YOU can be grateful! The Harlequin Historical Authors are again hosting a Holiday Contest. In the spirit of an Advent Calendar, there will be daily prizes and a grand prize of a Kindle Fire! More on that next week....

In the meantime, what about the Regency are you most grateful for?

And Happy Thanksgiving to you all!

The Fossil Hunter

I ran across The Fossil Hunter by Shelley Emling at the Museum of the Earth. I couldn’t resist a book that brought together two unlikely loves of mine—dinosaurs and the Regency.

As children, my brother and I decided we were going to be a brother-and-sister paleontologist team. We read voraciously. We loved going to natural history museums, browsing the gift shops for dinosaur models and making a whole paper mache world for them to inhabit. Even though I eventually moved on to other interests, I haven’t quite lost that fascination with dinosaurs. I’ve seen all the Jurassic Park movies. Although the sequels were nowhere near as good as the first, the kid in me still enjoyed the dinosaurs.

I always thought it was cool that a brother and sister, Mary and Joseph Anning, were the first to discover a fossil ichthyosaur, in 1811. But not until I read this book did I realize that Mary Anning went on to make many other important discoveries, including the first plesiosaurs, prehistoric fish and the first pterodactyl found outside of Germany. The image below, Duria Antiquior, is a watercolor by Mary’s friend, the geologist Henry De La Beche, depicting the creatures she discovered.

Mary was born into a poor, Dissenting family. Despite the dangers (she was almost killed in a landslide that killed her dog Tray) she sought shells and fossils in the Blue Lias cliffs near Lyme Regis, selling her finds to help support her family. But she clearly brought a passion to her business. She had a keen, inquisitive mind and read as widely as she could. She was skilled at reconstructing her fossils and making accurate sketches of them. She worked with some of the most influential geologists of the time, sometimes guiding them on fossil hunting tours and selling them specimens. Nevertheless, she was not always given credit for her contributions.

Her friend Anna Maria Pinney wrote:

“Men of learning have sucked her brains, and made a great deal by publishing works, of which she furnished the contents, while she derived none of the advantages. She says she stands still and the world flows by her in a stream, that she likes observing it and discovering the different characters which compose it. But in discovering these characters, she takes most violent likes and dislikes. Associating and being courted by those above her, she frankly owns that the society of her own rank has become distasteful to her, but yet she is very kind and good to all her own relations, and what money she gets by collecting fossils, gives to them or to anyone else that wants it.”


Her finds, as well as other new discoveries of land dinosaurs around the same time, led to much controversy. Many geologists of the time were men of the cloth and deeply religious. Although some were moving away from a literal interpretation of the Bible and saw Genesis as an allegory for events that in reality took longer to unfold, they still strove to reconcile science with their faith.

Many sought geological clues to support a worldwide flood. At that time, the concept of extinction was controversial, for Noah was supposed to have saved all the animals. Some wondered if the dinosaurs perished in the flood. Others speculated that dinosaurs might still exist in remote, unexplored parts of the world. Another problem was how man could have coexisted with such creatures. If not, why would God create a world that for a long time was dominated by fearsome reptiles?

However, even when the goal was to reconcile science with the Bible, new discoveries were made. These sparked new ideas and helped to lay the groundwork for Darwin to develop his theory of evolution. And Mary Anning contributed greatly to this process.

She struggled financially for much of her life and became ill in 1846. Some of her geologist friends created a fund to help her, but sadly she succumbed to breast cancer the next year, at the age of 47. There is an exhibit on Mary Anning at the Philpot Museum in Lyme Regis and discoveries are still being made on the beaches of Lyme Regis, part of a 95-mile stretch of shoreline called the Jurassic Coast.

I recommend this book. Mary’s life makes for interesting reading and there are so many interesting insights into the history of scientific thought, the role of women, along with glimpses of what life was like in Lyme Regis during the Regency and after. It makes me want to go hunt some fossils myself.

Anyone else into paleontology? Did you know about Mary Anning? Did you know she inspired writer Terry Sullivan to compose the following tongue-twister?

She sells seashells on the seashore
The shells she sells are seashells, I’m sure
So if she sells seashells on the seashore
Then I’m sure she sells seashore shells.


Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Hard Work is Its Own Reward? Not So Much.


This week has been a busy one--I received my second round of revisions for my upcoming William Morrow book, so I have to get cracking on those, plus I'm revising my Regency-set historical, AND dealing with parent/teacher conferences and being sick and stuff.

The worst part about not feeling well is dealing with the resulting lethargy--it's really hard for me to get motivated when I'm headache-y and grouchy, so I look to outside forces to aid me.

For me, the outside forces include such carrot-on-stick ploys as "You can play Scramble once you've finished this chapter," or "No wine unless you've at least opened the document" to "After this, you can google image pix of Michael Fassbender for at least five minutes."

How do you reward yourself?

Rising apes and recipes

I'm still on deadline so about the only socialization I have these days in on Twitter, which I love--not because I'm interested in what you're having for lunch today (and if this is what your posts are like, I won't follow you, sorry) but because it's a great way to share info.

So here are a few links I've found that I thought you might enjoy.

First, here's a jolly restored panther from Hampton Court (is he adorable or what!), work of historic paint expert Patrick Baty from his blog post on heraldic colors and their significance.

If you're interested in food--and who isn't--or, specifically, historical food, the Allbright Museum has digitalized its collection of historical receipt books. If you don't want to brave the archives, you can see a few samples at BBC News Today. You might, possibly, be able to find recipes suitable for the holiday season--the examples include pie decorations--and since the collection includes both culinary and medicinal receipts you also might be able to find something for overindulgence afterward.

Hair Care in the Toilet in which author Kate Dolan shares the wisdom from The Toilet of Flora: A Collection of the Most Simple and Approved Methods of Preparing Baths, Essences, Pomatums, Powders, Perfumes, Sweet-Scented Waters and Opiates for Preserving and Whitening the Teeth & c. & c. With Receipts for Cosmetics of Every Kind that can Smooth and Brighten the Skin, give Force to Beauty, and Take Off the Appearance of Old Age and Decay. Interestingly the book does include concoctions for depilatory use but not suggested for the areas in which (some of) our minds would immediately wander ... or would this be implied anyway?

And finally, an interview with Terry Pratchett from a couple of years ago in which he talks about religion with great wit, good humor and smarts.

Some of my favorite quotes:
I'd rather be a rising ape than a fallen angel.

We have an instinct toward the good ... most people if left alone and unpressured are pretty decent.

On reading the Old Testament: If this is true we are in the hands of a maniac.

The New Testament: St. Paul basically should have been introduced to a good woman.
Have you found anything good online recently you'd like to share? Or any recommendations for favorite Thanksgiving recipes since I have to take something to the family gathering and I have no idea what to bring?

Project Runway . . . Time Travel Edition

Four French Ladies All Duded Up.
I took the photo above with my Nikon D-80, a camera I love, but for which I do not have the correct sort of lens for this endeavor. My apologies for their blurry feet. You'll have to take my word for it, their shoes are cute. Over on the left, underneath the cute slippers, the text says "Restoration 1815" Since this is FRENCH fashion, that would be the restoration of Napoleon. Over there on the right, it says "Restoration 1830"

It's from my book "History of Fashion" which you don't find out until you look at the interior that it's

The History of Fashion 

In France

The book does have all the original color plates on very thick paper. They're really, really vibrantly colored so I love looking through this book.

Anyway, in just 15 years, fashion changed pretty dramatically.

French Lady No. 1: Well, no, jeune fille. Awesome reticule but the flounces are a bit much for me. Not a complete fail. She's rocking the colors: pink ribbon, pink hat, green gloves and yellow and green shawl. Sorry French Lady No 1. I will have to vote you off the runway for excessive use of flounces.

French Lady No. 2: Eglantine wears a more successful concoction. This is a prettier gown if you ask me. But come on. That gown makes her look pregnant. Or else she is. If she is, awesome maternity gown! If she's not, that's a fabric fail. The picture strongly suggests her scarf is attached to her head. A secret weapon, perhaps? It looks like a ribbon scarf but it's really a lasso.

French Lady No. 3: Well. I say her name is Martine, and but what the F are those yellow things? I mean I know they're bows, but to me they look like squirrels disguised as bows. If I were a guy, I'd be afraid of those bows. Nevertheless, lose the bows and I like this dress. The enormous sleeves will keep squirrel lovers at bay.

French Lady No. 4: Pink. That rocks. I used to hate pink but now I don't. From the hem to the waist this frock is a major win. Above the belt? That's a superhero costume. I am umbrella lady! Radioactive bullets shoot out of my sleeves! Also, how the hell can she possibly breathe with that belt so tight? That's why she looks sad. Because she can't breathe. She doesn't have to be voted off the runway. She'll fall off when the oxygen runs out. 3...2...1 Kablam!



You decide who wins

So, who wins the Time Travel Project Runway show? Opine in the comments.

Guest Blogger Cara Elliott


Amanda is taking a little break this Tuesday, but she is pleased to welcome back guest blogger Cara Elliott to take her place! Be sure and comment for a chance to win a copy of Too Wicked to Wed...



Hi Everyone,

It’s always a treat to visit the Riskies . . . and it’s especially fun this time as my new book, TOO WICKED TO WED, is all about taking a risk. Or more precisely, taking a gamble.

Now, we all know that the Regency was mad about gambling. It wasn’t just an amusement—it was a passion! Gentlemen wagered on everything, from horse races and boxing matches to marriage match-ups and how many bottles of port they could drink in one sitting. And of course, there is the famous story of two club members betting on which rain drop would be the first to slide down to the bottom of a windowpane (after tossing back quite a few glasses of that port, I would guess.)

But games of chance—cards in particular—were perhaps the most popular “risk.” And betting on card games was not a solely masculine vice. Ladies played with equal abandon—Georgiana, Duchess of Devonshire, was notorious for her high-stakes gambles and was constantly in debt (a fact she tried to hide from her husband and the Spencers.) With few funds of her own, she borrowed heavily from friends and acquaintances—and brokered her influence for money. It’s said she got funds from Thomas Coutts of Coutts bank for the promise of introducing his daughter into Society. On her death, she left debts totaling nearly 20 thousand pounds. When told, the Duke supposedly said, “Is that all?”

The turn of a card figures prominently in TOO WICKED TO WED. My heroine, Alexa Hendrie, is a very smart, sensible, practical young lady. But she’s also a little exasperated over the fact that ladies have so many rules governing their behavior, while gentlemen get to go out and play.

So when her cousin suggests that she disguise herself as a man and accompany him to a less-than-respectable gambling soiree, she throws caution to the wind for just one night, and decides to see if she can beat the men at their own game . . . (here’s a short excerpt)


Approaching the smoke-shrouded table, the Earl of Killingworth nodded a greeting to the players. “Who’s the puppy,” he growled, his gaze lingering for a moment on Alexa.

Ducking her head even lower, she made a show of studying her cards.

“Lars—he’s a friend ‘f Sir ‘Enry,” answered Gryff, sloshing more brandy into his glass.

“Lars appears to be a lucky lad,” remarked the Wolfhound, flicking a quick look at the pile of banknotes piled in front of her.

“Nipping at our balls, that’s for damn sure,” muttered Quincy. “Next he’ll be gnawing on my prick.”

Leaning a hip against the back of her chair, Connor crossed his arms. “How very embarrassing,” he drawled. “I, for one, would never dream of letting such an inexperienced mouth anywhere near my privy parts.”

The remark elicited a round of guffaws.

Alexa was suddenly hot all over. Her cheeks flamed, her fingertips burned. But the worst of the flames seemed to be licking at a small spot just below her left shoulder. Beneath the layers of her clothing her skin felt scorched.

The Wolfhound shifted slightly and the fall of his trousers grazed against her.

Dear God. Dear God. As if she needed any reminder that he was a distinctly male animal.

“Your turn to discard, Lars,” chided Quincy.

She threw down a random card.

“Ha! Knew it!’ With a slurred smile, Gryff scooped up his winnings. “Lady Luck’s finally going to kiss my hand.”

“Kiss my arse,” grumbled Quincy.

“Perhaps, you ought to quit while you are ahead,” said Connor softly, eyeing the pair of empty bottles by his friend’s side.

Making a face, Gryff replied with a rude oath.

“Suit yourself,” murmured the earl.

Alexa felt the Wolfhound’s big, muscled body shift again, and silently prayed that he was taking his leave. A trickle of sweat teased its way down her spine, leaving a trail of liquid sparks.

“What’s the matter, puppy?” he snapped. “Am I making you nervous?”

She shook her head, not daring to speak.

“Then stop squirming.”

Her limbs tensed and she held herself very still. This was dangerous.

Oh-so dangerous.

But it wasn’t just fear that was coursing through her blood like hot buttered rum. It was something far more potent—a heady mixture of excitement, elation and some emotion she couldn’t quite define.

After several long moments of silence, the Wolfhound moved away, but only to stand by the marquess.

“Do you wish to pull up a chair and join the game?” asked Gryff.

Holding her breath, Alexa ventured a peek from beneath the brim of her hat.

“The stakes aren’t high enough to tempt me.” The Wolfhound appeared to have lost any interest in the players or the card game. As he turned to survey the room, his gunmetal gaze skimmed over her as if she weren’t there.

Alexa knew she should be relieved, and yet . . .


She wins—and wins big. When the last card has fallen, she fins that she is now half owner of one of London’s most notorious gambling hell. And her new partner is none other than the infamous Earl of Killingworth.

Now how, you might ask, is this going to play out? Well, the game is far from over.

Speaking of playing cards, it was fun to do a little research into the subject as I wrote the book. It’s speculated that the first sets came into Europe from Mamluk, Egypt in the late 14th century. The Mameluke deck was made up of 52 cards, and four "suits"—polo sticks, coins, swords, and cups.

The earliest European cards were painted by hand—there is a record from 1392 of Charles VI of France paying for “the painting of three sets of cards.” Like devotional cards, and other early ephemera, playing card decks were soon printed from woodcut blocks, with the colors often added by stencils, which allowed a “mass” distribution. Engraving, a much more expensive technique, was also occasionally used. Hearts, Bells, Leaves and Acorns became popular for the four suits (there were sometimes five suits in early play) The four suits now used most commonly throughout the world—spades, hearts, diamonds and clubs— originated in France in the late 15th century.

Most of England’s early playing cards came from France, but in 1628, Charles I granted a charter to the “Company of the Mistery of Makers of Playing Cards of the City of London” and all future importation of playing cards was forbidden.

So, what about you? Are you a “gambler” in life? Or do you err on the side of caution? And I’m also curious—do you enjoy cards? Bridge? Poker? “21?” I’ll be giving away a signed copy of TOO WICKED TO WED to one randomly chosen commentator. (U. S. mailing address only, please.)

Winner of the ARC of Not Wicked Enough

The randomly chosen winner of the ARC of Not Wicked Enough is . . . Kaetrin I've sent you an email but feel free to email me directly (carolyn AT carolynjewel.com) with your mailing address!

Emery Lee Fortune's Son WINNER!


Congratulations to...

Barbara E.

You are the winner of Emery Lee's Fortune's Son.

Email us at riskies@yahoo.com with your email address and we'll pass it on to Emery!

The Riskies

Lord Mayor's Show

We missed it. The Lord Mayor's Show!

Of course, I did not know of the Lord Mayor's Show, I confess, so I wouldn't have known I should have been in London this weekend to see it.

In 1215, King John granted a Charter to the people of London allowing them to elect their own mayor every year. He required the new Mayor to present himself and swear loyalty to the Crown. Each year the Mayor had to make the long journey up river from the City of London (the historic center of London that is now the financial district) to Winchester to pledge allegiance. The journey, made yearly for the last 785 years, barring plague and fire, war and insurrection, developed into a grand pageant that continues to this day.

In 1750, Canaletto painted the scene in exquisite detail.

I got to wondering what the parade would have been like in the Regency. The Belle Assemblee, 1811, gives a description:

Nov 9, being Lord Mayor's Day, the Lord Mayor and the Corporation of the City of London appeared in their greatest state. The Lord Mayor, attended by several of the Livery Companies, took water in their respective barges, landed at Westminster, and proceeded first to the Exchequer, where the new Lord Mayor was sworn, before the Barons. Having been presented to the Judges in the other Courts, the Civic Body returned to dinner at in the following order of Procession. On the landing of the Lord Mayor at Blackfriars Bridge and so to Guildhall, Peace Officers cleared the way.

According to ancient custom:

The Royal West Regiment of London Militia of which the Lord Mayor is Colonel in field-day order 600 men
Court of Assistants of the Worshipful Company of Merchant Taylors, in their coaches;
The Banners of the Merchant Taylors Company;
Thirty seven Pensioners in the Livery of the Merchant Taylors Company carrying Spears and Shields, two and two
Three of the Lord Mayor's Trumpeters on horseback.
Esquire in half armor with a lance; A Knight in a full Suit of Cap-a-Pee Steel Armor, on horseback; Esquire in half armor with a spear.
Ten Liverymen of the City of London, in their Gowns and Hoods;
Three more of the Lord Mayor’s Trumpeters on horseback;
Lance Esquire in half Armour; A Knight in a full Suit of Brass Armour, on horseback; Shield Esquire in half Armour;
The Lady Mayoress in her Coach and six Blood bay Horses;
The Lord Mayor’s Banners
His Lordship's own Band of 21 Musicians in full Dress
Esquire in half Armour with a Lance; A Knight in full Cap-a-Pee Steel Armour, on horseback; Esquire in half Armour with a Spear;
Four Marshall Men on foot;
Six of the Lord Mayor's Footmen in State Livery
The Upper City Marshal
The Lord Mayor State Coach and six Horses
The late Lord Mayor's six Footmen in State Livery
The late Lord Mayor's Coach and six Horses
The Alderman in their Coaches
The Sheriffs in the State Carriages

When the procession arrived at the Obelisk in Fleet Street, it was joined by the Judges, Nobility, Foreigners of Distinction, etc. At about five o’clock the cavalcade arrived in King-street. On entering Guildhall the Lord was greeted with loud and reiterated shouts
of applause.


After that, the Lord Mayor and guests partook of a lavish dinner followed by a ball.

But, alas, The Months of the Year, 1824, Mr. Constance laments:

The lord mayor's show is now, I believe, considered to be the only stated exhibition in the metropolis that remains as a memorial of the great doings in the time of the pageants. It is now, however, but the mere shadow of what it was formerly. According to the accounts written at various periods, from the year 1575, we learn that the show then consisted of a far greater number of persons, banners, and decorations, than at the present time; and also that it was customary for the lord mayor and the nobility to stop three or four times between Blackfriars and Guildhall, to view the pageants, or plays, performed upon stages erected for the purpose.


Maybe next year I can go to London and see the parade for myself. If I do, I'll be sure to let you know how it stacks up to the one in 1811!

What's your favorite parade?

Emery Lee and Fortune's Son

Welcome back Emery Lee who is with us today to talk about her latest release, Fortune's Son. Emery visited us last year with The Highest Stakes, an incredibly well-researched debut set in the Georgian racing world.
Lee brings the atmosphere of the Georgian era to life with lush descriptions that beg the reader to see, hear, feel and touch it all....suprising twists and turns that are reminiscient of Fielding's Tom Jones or Defoe's Moll Flanders -- Kathe Robin, RTBookReviews
Emery is giving away a signed copy of Fortune's Son to one lucky commenter chosen at random.

Welcome, Emery! Tell us about Fortune's Son.
Fortune’s Son is the story of a complex and tumultuous romantic relationship between two people who despise and buck the world they live in but must maintain themselves in it nonetheless. Philip is a young adventurer, the disowned black sheep of an aristocratic family and Susannah Messingham is beautiful widow left upon her husband’s death with little means to support her extravagant lifestyle. While at an upscale gaming house she observes Philip winning at the tables and sets out to use her feminine wiles to persuade him to teach her. Philip, however, is not as malleable as she had hoped…

How did you come up with the idea for Fortune's Son?
Philip and Susannah (Sukey to her intimates) are major secondary players in my first novel, The Highest Stakes, and characters who almost stole the book! Although part of their complex relationship is portrayed in my first book, I realized at the end of it that there was so much left to tell about them. How did they actually meet? What really drove them apart? Will they every have a happy ending? I had to write their story because they demanded that I do so!

What is risky about Fortune's Son?
Honestly everything! Philip and Sukey are gamblers – people who rely on Lady Luck for even their daily bread. They are so very different yet mirror one another in many ways. She harbors a secret scandal and Philip is constantly at war with his family. She’s a widow with a social position to maintain and eight years older than Philip, who is virtually penniless, yet, the attraction between them is undeniable. Although clearly evident from their first meeting, they both fight it tooth and nail, but it is bigger than they are. In the end, however, love prevails and they are both shown to make tremendous sacrifices for one another.

Did you come up with any interesting research while writing this book?
Tons of stuff and almost all of it is in the book! I wanted to build the Georgian world as it has never been depicted in a romance novel - the sights, the sounds, the places and events that were part of my characters daily lives. This included everything from the play house to pugilism matches. I also incorporated many real historical figures into all of these scenes to make them more vivid. Two of my favorite scenes are Philip and George at the cockpit and the scene where Lord March tells Philip and George about his famous carriage race, a true event that I used in the resolution of my story.

You really love the Georgian period. Can you tell us why?
My very long answer to this question can be found in my blog post "Why I Love the Georges", but the short and sweet response is:

"Why the clothes, dahling!"

What is next for you?
My very next release is actually an erotic historical romance novella, A BREACH OF PROMISE, from Ellora’s Cave. I’ve written it under the pseudonym Victoria Vane because it’s so unlike any of my other work in tone, style and sensuality level. It’s very light and witty but also very sexy, a story I like to think of as kind of Heyer-esque but with lottsa heat! My next Emery Lee project (PG13 again) is very exciting. It’s a full length romantic historical novel, working title, CHASING VENUS. Set in the mid- Georgian period, it involves science, discovery and high seas adventure between a couple who could not be more diametrically opposed to one another if they tried. For readers who relish conflict in a romance – it’s sure to deliver!

Diane, here, again. You've all read lots of historicals. Name any game of chance that was popular during the Georgian period. Or ask Emery a question. Make a comment for a chance to win a copy of Fortune's Son.

A Regency Wish List

This is the time when my family and I put together our holiday wish lists. We always put extra items on the list, so that what is finally chosen can be a little bit of a surprise. We also tend to keep it simple. Books and chocolate figure heavily.

I usually ask for something Austen or Regency-related. The Republic of Pemberley’s Cafe Press store has a lot of fun and affordable goodies. Some past gifts I still enjoy are my “I blame Jane” T-shirt and the “Intolerably Stupid” magnet.



The Jane Austen Gift Shop has some cool items this year. I’m drawn to the “Cooking with Jane Austen” because I love cookbooks. There's also a set of perfumes themed according to the different novels--fun!










While looking for something else, I stumbled across a number of CDs of English country dance music. I already have some good Regency-related music. My favorite is “Jane’s Hand”: music from Jane Austen’s own songbooks performed by Julianne Baird. But these country dance CDs might be just the thing for writing ballroom scenes.

Have you started shopping? Run across anything interesting? Have anything special on your own list?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Happy Veterans' Day!

It's Veterans' Day, and is also 11/11/11, which is mystifyingly wonderful for people who believe the Julian calendar means something other than a random way to mark time (I don't mean to be dismissive, or maybe I do, but in either case I think it's silly).

Veterans' Day, though, is important. Like all of us, I'm sure, I have relatives who served in the military, and I honor those people who fought so that we wouldn't have to. I wish there was a more meaningful and helpful thing to do other than say "Thank you," but that's all I've got.

So thank you.

Megan

PS: Props to Diane, whose cover soldier is the art for today.

Happy birthday, Hogarth!

I'm disgracefully late with my blog post today but we still have time to wish William Hogarth a happy birthday. I'm going to give you a few interesting facts about Hogarth who I find such a wonderful, sympathetic sort of person, well ahead of his time in some respects, an artist with a social conscience and sympathy for the underdog--for instance, he was an early proponent of the humane treatment of animals, possibly because he was brought up in Smithfield, London, which was the area where livestock were slaughtered.

Things I love about Hogarth:

  1. His house in Chiswick has just been restored and opened to the public yesterday. Another place to go to!
  2. He included his pug in his self portrait.
  3. He eloped to marry Jane Thornhill, daughter of the artist Sir James Thornhill (I found this online somewhere yesterday and now I can't find it again. Possibly I made it up because I found it romantic).
  4. He was a party animal: cofounder of The Sublime Society of Beefsteaks, a gentlemen’s club dedicated to the celebration of British beef and liberty, and the Rose and Crown Club, "a bawdy assembly of younger artists and cognoscenti," who met to discuss art in a pub.
  5. When visiting France shortly after the tenuous Peace of Aix-la-Chapelle he was arrested and proved he was an artist and not an English spy by drawing some very rude cartoons of Frenchmen. Surprisingly he was released.
  6. He was a founder of the Foundling Hospital which I blogged about here along with some other interesting online sites, but do check out the heartbreaking Threads of Feeling exhibit, an online collection of scraps of fabric left with abandoned infants.

Here are a couple of Hogarth's paintings I really like--his study of his servants and the amazing oil sketch The Shrimp Girl. Which of his paintings/engravings do you like? Any more fun facts about him?


One Wicked Christmas Winner!


The winner of the free download of Amanda's One Wicked Christmas is...Janie Mason! Congrats! Please send us your contact info at Riskies AT yahoo.com...

Not Wicked Enough ARC Giveaway

I want to start this post off with a major WOOT to Risky Elena for her title Lady Dearing's Masquerade making the Kindle Top 100 Indie Bestsellers for October 2011 (via EBook Friendly), There she is at #72! Congratulations, Elena!

If you've not picked up this book, perhaps you should.

Not Wicked Enough ARCS

I came home today to find that I have ARCs for my February 2012 Berkley Historical, Not Wicked Enough. Just as that cover isn't quite the final cover, the ARC is not quite the final book. For example, chapters 31 and 32 should be swapped. If you win one, feel free to read chapter 32 before chapter 31 (and mentally add in some missing transition) And yet, I am giving away THREE (3) ARCS right here on the Risky Regencies.
When Lily Wellstone heads to the Bitterward Estate to comfort her widowed friend Eugenia, she certainly does not have romance in mind. In fact, the playful but level-headed Lily is amused to no end when, en route, a Gypsy gifts her with a beautiful medallion, claiming it will ensnare the romantic desires of a stranger.

But fate has other plans in the form of Eugenia’s ruggedly handsome brother, the Duke of Mountjoy. One day at Bitterward and Lily can’t deny the sizzling attraction between her and the roguish duke. Nothing can come of it, of course. She's not looking for entanglements and he's practically engaged. But whether it’s her outgoing nature and the duke’s outlandish ways sparking off one another; or the mysterious gypsy medallion working "magic,"—hearts are stirring in the most unexpected and wicked ways. . .

How to Possibly Win one of Three ARCS

  1. If you are one of the winners, you must agree to write a review of the book. An honest review. Please post your review either at at least one of the following: your own blog, Facebook, Goodreads or one of the bookselling sites such as Amazon or Barnes and Noble. If you don't have a blog etc, then you can send me your review and I will post it at my blog.
  2. Leave a comment to this post in which you make some mention of the number three.

The Rules

Void Where prohibited. You must be over 18. No purchase necessary. Please post your comment by midnight Pacific November 11. Three winners will be chosen from the comments at random, probably not later than Sunday Nov 12. International is fine, unless there's a law somewhere that it isn't. I will post the winners to the Risky blog, so you'll need to check back to see if you won.
 
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